An article published in the newspaper Sabah, the new \ gift by Hussein Abstract realism in art .. Language and special features 2007-09-19

It is an important book on the realism in abstract visual art, the author and Dr. Aga sky that were previously issued (composition, plastic and aesthetic elements in the previous miniascape Wasiti) on the Cultural Affairs public house in Baghdad in 2000 and has designed the scenery and painter in the Baghdad TV, and received numerous awards and certificates of appreciation local and global .. About her book, which was issued days before the Arab Institute for Studies and Publication Dr. Ahmed Mahuad in his introduction (the book raises achievement through the establishment of the term reflects the cash position of intellectual and cognitive foundations of monetary SINGS by adopting a concept of aesthetic reading of the texts, since it raises a lot of obstacles hinder the freedom of the analysis, and contributes to the development of technical studies and their methods and types of exchange systems within its borders and terminology). He also says (the term abstract realism posed by this book for the first time, language and special features, add text to read the technical aspects of cognitive function and trends in the monetary and intellectual paths unfamiliar not covered in one of the critics). As long as it is an adventure made by the author, the effort is fraught with deep and hard search to end up that I want, including writing the book .. He had discussed the long and comprehensive and extensive, in-depth analytical spirit of beauty that lies behind the colors and artistic innovation, which lead us to the roots, consisting first in plastic art, which is the summary of human experiences faced by the artist is dealing with nature .. Follow the stages of its development in Europe and illuminates the world and needs that drive the direction of aesthetic creativity, and give us a reading of the dialectic of seriousness and the dimensions of intellectual and artistic identity is far from theoretical, trends and known methods, and provide us with an accurate disclosure of the aesthetic richness of the work done by these artists in the world ranking. The term (realistic, abstract) as stated in the first chapter of the book, is a window to find the key to understanding the history of art has a new and contemporary, and the more Ooglna in the tracing of lines of reality and the abstraction involved in the technical work, we have come to reality without restrictions. The book of 288 large-scale .. In the course of six chapters, Chapter VI included the analysis of paintings according to the criterion of realism, abstract, and فهرست forms, attached to a videotape of the paintings, the most prominent Iraqi and global levels, sources and references that have been adopted by the panel. Analyzed over the Aga and Iraqi technical texts - in Part V - by tracing the evolution of visual art since the forties, the Iraqi side to add some attention to the technical elements of the old Iraqi heritage and artistic heritage of the Arab cultural and spiritual legacy .. and on the significance of color in the painting and the attention of the Muslim Arabs based on color so on a number of Quranic verses and the ascension of the Prophet Mohammed and the Prophet's traditions. The names put on the most functional and their impact on the composition of Iraq, as well as the functional groups and the names that have contributed, such as (the ancestors), which was established by the assurances of good and the (lost time), which he co-founded a number of known artists, including, بلند Haideri, Nizar Mahmoud Salim, Salman and others , and the Community (Baghdad of modern art) and was among the most prominent names and Lorna Jawad Salim Salim, Mahmoud Sabri, Jabra Ibrahim Jabra and Shakir Hassan Al Said, and (Alantbaiin group founded by the initiative of the artist, which kept الدروبي also included Tai and Saad and Dia al-Azzawi, Saadi al-Kaabi, Ala Bashir, Munther stock maintained, and the group of (renewed), which was founded in the sixties and brought together a select group of young graduates of the Academy of Fine Arts, and (the one-dimensional), which inspired crafts Arab plastic arts in the value of works of art, then the group of (academic) and (numerical group). For its part, consisting area to talk about the artist, including Nuri al-Rawi, represents the weight of plastic art in Iraq, saying on page 187 (can not look at the many cities of silence drawn by the artist Nuri al-Rawi, through his art, as a simulation of the city of his childhood (Rawa), with what we see from manifestations and forms a clear and realistic, and Kalnoair domes, doors and windows, but another kind of simulation, where the tendency towards the purely visual, free hope, foreshadows the capacity of sensory and emotional and psychological aspects associated with the memories of the artist, which gives the value of expressive forms and poetic works to create new characteristics, the nature of the (city) and creativity that can only be in the picture and within the framework). and had a stand with the artist Ala Bashir, analyst panel (lineman), which says it (and gave us all a reality without restrictions, and the way in which signs of replacing the images as it is in our imaginations, However, the photographic characteristic, weight and purity, has made its presence in exile, in fact, while retaining the distinctive elements in the formal organization, and structure the content very briefly, by a mock representation of the units consisted of a woman and a crow, and the background of a long horizon, vertical and flat like a banner behind the head of women scattered hair Boisterously back by the winds of the storm are not commensurate with the air (background) .. almost static forms and maintained constant within the occupied space within the image, with a sense of depth Turackby - Parking crow as the Leaning towards the back - as well as a sense of three-dimensional perspective while maintaining the ratio and volume). and, of course, there are a lot of what she said made up the painting, especially with regard to their submissions and symbols, colors and finishes and proportions between the forms, and psychological aspects in the photo, and analyzed many of the paintings of other artists we can not in this area that Ntnolhm, and the book is replete with many models made by us and the sky of a new vision based on the Aga to a large amount of resources to enrich the experience and develop its vision, which gives the impetus for her book is really an important point of reference in the Art Studio of Iraq and the world. Gift Hussein